I’m always on the hunt for modern music to tap to. Sure, I love tapping to classics. Songs from musicals, rock and roll with a steady beat, etc. But since I typically teach college students, I like to have something a little fresher to keep them intrigued. This is one of those songs. “It’s You” by Duck Sauce. Take a listen.
Perhaps the best part of this Duck Sauce song is it’s clean. Or maybe that it doesn’t need edited because it’s nice and short. But me? I like that it combines that old quartet sound with a fresh dance track. It allows you to switch between classic tap moves and more rhythmic tap sounds. From Suzie Qs to Shiggy Bops. It all works together.
Get it now:
Amazon | iTunes | Spotify | GooglePlay
P.S. If you’re thinking this sounds familiar, it might be bringing to mind the also popular, “Barbara Streisand,” also by Duck Sauce.
I fell in love with Outkast in approximately the year 2000. It was before the hit “Hey Ya” came out, right around the time when they started becoming a little more mainstream. A lot of the group’s music has an incredible beat that you can really dig into. HOWEVER… most of the music has some questionable lyrics. Lucky for us, there are a few songs that are a great combo of clean words and dirty beats.
Nike featured this cover of The Beatles’ “All Together Now” by André 3000 in an NBA basketball commercial a few years ago. And now you can download it and tap the day away. It totally passes “the time step test” and it’s short enough (the full length is 2:14) that you can get by without editing it!
Can I get an A-MEN?!
Listen now on:
itunes | Amazon | Spotify
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I know I’ve been a little off the grid these past few weeks, but as all dance teachers know, spring is a busy time of year. And even with only two classes, I still found myself busier than ever the past few weeks. Costumes, rehearsals, lighting, etc. And here’s the end result. My level 1/2 jazz group opened our spring show and my level 1/2 tap closed the show. (It gets a little blurry in jazz for a minute but it comes back, wait for it!)
I couldn’t be prouder. Thanks to all the students who gave it their all this semester.
And, for any prospective college students in the Boston area, if you want to find out more about the Colleges of the Fenway Dance Project, get in touch or check out the details.
1 | Like this video? Check out more from The Jam Project.
2 | A great look at why dance training is life training.
3 | The Oscars’ forgotten award, Best Dance Direction.
4 | Lastly, if you’re looking for some dance teacher fun, follow @DnceTchrPrblms on Twitter.
Don’t forget to squeeze some dancing into your weekend!
One of the things we challenge our college-aged students to do when working on new choreography is to come up with an idea for their dance. A concept. A story. We challenge them to create more than dance moves, but movement with feeling behind it. And if we challenge them to do it, I think we should have to do the same. Do as I say, do as I do… right?
And this song, Tightrope by Janelle Monae is a song you can use to tell a story. The beat is great and the lyrics can be interpreted in different ways, it just depends on your reference point. And the beat is great for tap or a pop jazz. For guys or girls or both. Watch the video and get inspired by Janelle’s quirky dance moves. Then, find it at your favorite source:
Amazon | iTunes | Spotify | Google Play
It’s the early 90s. A warm day in Pittsburgh, PA. My mom, grandfather and I are on the back steps of his home. He smokes as I expend some extra energy running up and down the stairs alongside the house. It’s the day I first learned how to do time steps. My grandfather and mother—both dance teachers—were teaching me. “Pop-pop” took the tough love route and my mom let me get a taste of how she learned growing up.
And you know what, I haven’t stopped doing time steps since that day.
Nowadays, I know that there’s all kinds of time steps, but when trying to choose music for tap for intermediate levels and above, I’ll use a double-double or a triple-double to test new music. Based on the speed of the time steps I know whether that song might work for my tap group. Easy as that. And just because I use the time step test doesn’t meant those time steps are going in the final choreography. It’s just a baseline I use when finding just the right music.
As a dancer you hear your teacher correct the same mistakes over and over again. And as a teacher you say those same phrases over and over again.
“Point your toes.”
“Straighten your knees.”
“Stand up straight.”
“Don’t look down.”
These phrases become so much a part of our dance class that they start to go in one ear and out the other. They become a little cliche. Just like this music tip. “Think outside the genre.”
Gone are the days where we had to go to our list of “ballet music,” our stack of “tap records” or our old “jazz standards.” Once students are old enough to hear the music and keep their technique true to its style, there’s no reason to not shake things up enough. It’s easy to take a piece of music we would once stamp as a lovely instrumental ballet and turn it into an intricate rhythm tap number. Like this rendition of “Pumped Up Kicks” by the Vitamin String Quartet.
Or maybe turn an R&B piece into a funky ballet number. Like this remix of Janet Jackson’s “Someone to Call My Lover.”
Pair an offbeat track with classical movements. Or classical movements with an offbeat track. Either way, put your own spin on a not-so-traditional song and see what happens.
I’m not sure when it started. In fact, I’m not sure when I started noticing it. Featured artists. They’re everywhere. It seems like almost every song I hear on the radio has a list of artists a mile long. will.i.am featuring Britney with a special appearance by Fergie plus sampling from Michael Jackson. Am I right?
But sometimes, those featured artists are where the dance gems truly lie. “American, Idle” by Heath McNease & Pigeon John was one of those songs for me. I fell down a hole on iTunes so deep by clicking related artists, sampling their tracks and checking out featured musicians on those albums.
This track is perfect for an advanced tap level when you’re looking for something a little outside the traditional tap box. I used it for college-aged students and it was hit. Take a listen on your favorite.
Spotify | iTunes | MySpace | Amazon | Google Play
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As a kid, I’d dance to almost anything. A dripping faucet. Banging on pots and pans. My parents reprimanding me. (That last one hardly ever works out in your favor, FYI.) These days, now that I’m not a kid anymore, I’m always looking for new music to dance to. And that’s one of my focuses here on the blog. With your help, of course, I’m out to create a database of music to dance to. For class. For performance. For jazz, tap, ballet, hip hop. Heck, for dancing in your car. Why not?
So, if you’re looking for a certain type of music, let me know. I want to help you find it. Instrumental jazz with a tribal beat? Let’s find it. Soft shoe music with a modern twist. Let’s do it. And let’s choreograph it and dance until the day ends.
What do you say? Are you in? We’ve got music to dance to.